The two seemingly dissimilar situations collide through their energetic, and at times, frenetic use of sound, which rises to a frantic peak only to die out again. Through their juxtaposition, Doğan seems to be confronting the German police officers, especially the females, and questioning their positions of power and what they are doing, if anything, to liberate themselves.
Thursday, July 1, 2010
The two seemingly dissimilar situations collide through their energetic, and at times, frenetic use of sound, which rises to a frantic peak only to die out again. Through their juxtaposition, Doğan seems to be confronting the German police officers, especially the females, and questioning their positions of power and what they are doing, if anything, to liberate themselves.
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